‘Star Trek Into Darkness’ may redefine the series

‘Star Trek Into Darkness’ may redefine the series

A big-time blockbuster is coming to a theater near you.

In terms of the stress it must produce, directing a Star Trek film is right up there as the cinema equivalent of running a nation: if done incorrectly, those who are devoted to the franchise—and there are many—will immediately notice the holes and call you out on them.

Fortunately, the latest installment in the Star Trek franchise to hit the big screens is garnering positive attention and—for the most part—praise for its commitment to adhering to the characters’ original traits and motives. In “Star Trek into Darkness,” directed by Stars Wars alum J.J. Abrams, Chris Pine reprises his role as Captain Kirk (the handsome actor has the part down pat, having played the Starship Enterprise’s captain in the 2009 film “Star Trek” and providing the voice for Kirk in the video game version of the film), “Heroes” star Zachary Quinto takes on Spock, and It-Girl Zoe Saldana returns to play Uhura.

Although the film has been lauded for its superb visual effects, its 3-D option takes things a bit too far, according to the Chicago Sun-Times. Any sequel runs the risk of being compared, and oftentimes unfavorably, to the original, yet “Into Darkness” holds it own with a compelling narrative and strong acting. Quinto, in particular, receives accolades for conveying as much emotion as the overly rational Spock possibly can—it doesn’t hurt that he and Uhura embark on a romantic adventure of their own. The Chicago Sun-Times describes Pine’s performance as “solid” and applauds the attention given to characters Scotty (played by Simon Pegg) and Sulu (played by John Cho).

The story begins with Kirk defying expectations and saving Spock’s life during a space mission—a rebellious turn that causes him to lose the Enterprise. Enter rogue John Harrison, played by Benedict Cumberbatch, a villainous anti-Kirk who the crew must join forces to destroy. There are eye-winking lines of dialogue guaranteed to satisfy long-time fans of the series. But there are also fresh moments when old material is seen with new eyes—new planets are introduced and, while they still maintain a healthy amount of respect for the film’s predecessors, costumes are less theatrical than they were in the original series.

As a summer blockbuster, “Into Darkness” delivers the goods. Its CGI and 23rd century sets are transportative, the performances are convincing, and the fast-moving plot will hold the interest of ardent Trekkies and Star Trek newbies.

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